In what kind of world does a baby girl live in a homeless camp?
A bike ride past a small child in a blue-tarp homeless encampment stirs thoughts about society’s failures.
Even during our rainy months, as soon as I begin riding my bike, satisfaction flows into me quickly, like a sugar rush, just as when I was 6 years old, feeling the freedom of riding for the first time. But the real point is that I notice so much more at bicycle speed, and I want to notice.
And this morning would feel like too grand a luxury, too great a denial, to not notice the newest jury-rigged tarp strung between branches along the waterfront pathway, so stark and, yet, so full of determination, everything about its makeshift survival is admirable and horrifying at the same time. The layers of plastic persistence are etched into my brain.
I feel uncomfortable to think of it now, nearly as much as I felt then, when my first thought was what will our parks be like in 10 years as our city becomes more and more crowded and even more expensive, every tent standing alone and, yet, together in one continuous chain of poverty and addiction and a failing system of both health care and leadership.
A young man is standing on a sheet of muddy cardboard next to the tarp and for a moment the earth seemed to fall away under my feet. Because what else I see is tender and good and yet countless kinds of wrong in a country rich as ours: He (her father or brother, I don’t know), is holding a baby girl, maybe a year old. Their campsite is pretty tidy, but the one next to them is trash-strewn and reeks of urine and feces, the horrible smells we need to protect ourselves from.
I slowed, stopped, and without thinking said, “Good morning.”
He was a man battling some kind of chemical addiction; all you had to do was look at him to know it. To have no choice but to raise a child in filth and chaos is visible in the eyes. And I had this clear impression that I was seeing someone struggling to cope and losing his struggle at the same time. He looked at me, squinted, and said, sort of absently, “Good enough.”
I tried to continue riding as though nothing had happened, but the tension in my spine grew along with my guilt. I live with that image every moment now. I can’t let it go. A maternal anger has come over me. We don’t have time to work out what’s going wrong with the system, certainly not enough to save that little girl. I rode off wondering if her generation won’t even find homelessness newsworthy anymore because it’s so common.
My friends lean both ways.
One thinks that the homeless should be “rounded up.” That is exactly what she said. As if, like the sunspot she had lasered off her cheek, we can simply swipe them away, the whole problem disappearing if we apply enough heat.
Another started helping in a soup kitchen long before it was cool to do so.
My mother used to say: There but for the grace of God, go I.
I say: God grant me the serenity to accept the things I cannot change, courage to change the things I can, and the patience not to smack the head of the man in my building who said, “Mary Lou, Mary Lou,” repeating my name twice so that I, silly liberal, silly woman, would finally comprehend the world as he sees it. “What’s the point of more bike lanes if they encourage more people who can’t afford cars?”
“You are an imbecile,” I said.
It’s the kind of thing I say when I don’t say anything for a few seconds so that I can collect my thoughts.
It’s the kind of thing I say when I am fed up.
It’s the kind of thing I say when I feel desperate about our failings.
I tell you, homeless children are our truest failing.
Among Friends: A Memoir of One Woman’s Expectations, Disappointments, Regrets & Discoveries While Searching for Friends-For-Life—Literary Nonfiction. Women’s Studies. An intelligent voice. An illuminating book. Mary Lou Sanelli is unsparing as she explores the subject of friendship in women’s lives. This is a book of self-discovery…dauntless, smart, funny, beautifully written. She examines, deeply and sincerely, what friendship means, and what it costs. She pulls no punches. Through contemplation and through personal anecdotes, both her own and others, Sanelli crawls through this morass of conflicts and emerges with a strong sense of self and a much clearer idea of closeness.
Mary Lou Sanelli has earned a solid reputation in the literary and public-speaking community through a steady commitment to writing and through twenty years of successful public readings and presentations. She has published seven collections of poetry, three works of nonfiction, Among Friends, Falling Awake, and A Woman Writing. The Star Struck Dance Studio (of Yucca Springs) is her first novel (Chatwin Books). Her regular columns appear in Seattle’s City Living Magazine, Art Access magazine, The Queen Anne/Magnolia News, as well as Lilipoh magazine and Dance Teacher magazine. She has written for the Seattle Times, Seattle Metropolitan Magazine, Morning Edition, National Public Radio, Seattle’s NPR affiliate station KUOW FM, and many other publications and radio stations. Honorariums include an Artist Trust GAP Award, Poetry on the Buses, A Jack Straw Writers Award, A Seattle Bumbershoot Festival Book Award, The Skagit River Poetry Festival, A GoodReads Notable Book Award, and writing residencies in France, Costa Rica, and Spain. She presents her work at corporate events, conferences, literary venues, colleges and universities, book clubs, private events, and fundraising salons. Also a master teacher of Lyrical style contemporary dance, she teaches workshops throughout the world. This professional dance training and performance experience enables her to present with skills that surpass the average author reading. She lives with her husband in Seattle. “What Sanelli does in front of an audience is easier to recognize than it is to define.” -The Seattle Times. For more on Mary Lou Sanelli, please visit: marylousanelli.com
Cooking. Poetry. THE IMMIGRANT’S TABLE is a beautiful collection of poems and recipes, an odd pairing until you read how Mary Lou Sanelli has managed it. In the hands of this adept poet, these seemingly disparate elements flow together like pasta sauce and garlic, like Chianti and cheese. Sanelli introduces her reader to her family in the most Italian of settings: around a table. And in introducing her family, she also reveals those long-held family recipes for a great meal as well as those for a strong and lively family. “In this collection, Mary Lou Sanelli brings poems out of the ivory tower, straight to the family dinner table. No fast-food substitutes here, as the poet re-creates a culture in which food preparation is a cherished ritual. Sanelli’s clear-eyed, yet loving, awareness of family members’ foibles, including her own, provides the reader with a menu that nourishes both body and spirit, a gourmet treat for the imagination”-Madeline Defrees.
Mary Lou Sanelli has earned a solid reputation in the literary and public-speaking community through a steady commitment to writing and through twenty years of successful public readings and presentations. She has published seven collections of poetry, three works of nonfiction, Among Friends, Falling Awake, and A Woman Writing. The Star Struck Dance Studio (of Yucca Springs) is her first novel (Chatwin Books). Her regular columns appear in Seattle’s City Living Magazine, Art Access magazine, The Queen Anne/Magnolia News, as well as Lilipoh magazine and Dance Teacher magazine. She has written for the Seattle Times, Seattle Metropolitan Magazine, Morning Edition, National Public Radio, Seattle’s NPR affiliate station KUOW FM, and many other publications and radio stations. Honorariums include an Artist Trust GAP Award, Poetry on the Buses, A Jack Straw Writers Award, A Seattle Bumbershoot Festival Book Award, The Skagit River Poetry Festival, A GoodReads Notable Book Award, and writing residencies in France, Costa Rica, and Spain. She presents her work at corporate events, conferences, literary venues, colleges and universities, book clubs, private events, and fundraising salons. Also a master teacher of Lyrical style contemporary dance, she teaches workshops throughout the world. This professional dance training and performance experience enables her to present with skills that surpass the average author reading. She lives with her husband in Seattle. “What Sanelli does in front of an audience is easier to recognize than it is to define.” -The Seattle Times. For more on Mary Lou Sanelli, please visit: marylousanelli.com
Link for the zoom recording for the 1.20.22 Third Place Books Reading Event
Sherry Rind’s poetry books are The Hawk in the Back Yard (Anhinga Award), A Fall Out the Door (King County Arts Award, Confluence Press), and Between States of Matter (The Poetry Box Select, 2020). Chapbooks are The Whooping Crane Dance and A Natural History of Grief. She has received grants and awards from the Seattle and King County Arts Commissions, Pacific Northwest Writers, National Endowment for the Arts, and Artist Trust. Near Seattle, she lives with Airedale terriers, chickens, cockatiels, and a corn snake. She would like to keep a goat. sherryrind.wixsite.com/writer
“I am reading and loving… <em>The Store-House of Wonder and Astonishment</em> by Sherry Mossafer Rind (Pleasure Boat Studio, 2021) uses the persona poem to explore natural history from a multitude of points of view, ranging from Aristotle on the disappearance of birds to Father Acosta on the qualities of dung.” – Managing Editor Stephanie Barbé Hammer, Shark Reef Literary Magazine
“…Folklore and science blend in many of these pieces…[i.e.] ‘The Physic of Toads’, in which toad folklore is presented: ‘If someone offend a toad, she gathers air into her body/and sighs out that poisoned breath/as near the offending person as she can get/and thus has her revenge./If air causes blindness or dizziness, seek the toad.’…Observations of the intersections of these worlds, the mysteries and myths of nature, and the long-ranging history of these encounters are captured… [And] a concluding section of notes bows to the sources of inspiration that fueled these works, offering readers more opportunities to investigate source materials… [Sherry Rind’s] thought-provoking, lyrical commentary are astute, evocative considerations of human roots in the natural world (which, in modern times, are too often forgotten): ‘Nothing then is lost; the vital heat survives in air, wheat,/cloth, mice, the very clay on which we stand or dig for pots./Beings generate in every combination, and everything on earth is life.'” –Diane Donovan’s Recommended Reading, Midwest Review
“In this collection of compelling persona poems, Sherry Rind gives voice to both the natural dignity and intelligence of animals, and to man’s hubris which has shaped our relationships with them. Filled with deep compassion for other lives, these lyrical and often ironic poems show us how often humans “narrowed in their single element” do not comprehend the varied ways of knowing in the non-human world. In this time in which widespread distrust of science has taken hold, her exploration of ancient writers’ outlandish beliefs is a poetic mirror on our own ignorance. “Because you cannot hear/you do not know how the earth talks to itself.” The Storehouse of Wonder and Astonishment is a treasure trove of lyrical insight.” –Alicia Hokanson, author of Perishable World, Mapping the Distance, and Insistent in the Skin
“Sherry Rind’s book of poetry, THE STORE-HOUSE OF WONDER AND ASTONISHMENT, is a dance to the music of time–old time. By turns whimsical and profound, but always original, Rind re-imagines the imagination in which early naturalists and explorers viewed the opening world around them. In their originality, pacing, wordplay, and marvelous erudition, these poems are not only eminently readable, but re-readable, as poetry should be.” –Alfred Alcorn is the author of fourteen novels, including Sugar Mountain
“An exquisitely written, compelling body of poems that anchors the world of animals to our transcendent human longing to know them, save them, be them. Or, at least, be as wildly innocent. “We find the wild lands better than dreams.” Rind has skillfully created something original, a body of lyrical poems that read like rich, lavishly rich, gifts of delicate grace. The overall impression is that of a triumphant acknowledgment of animal life that takes the reader to a place of deep empathy and all-embracing tenderness. “Among us, their eyes stop rolling and they bend their long necks to the grass.” –Mary Lou Sanelli, author of The Immigrant’s Table, Among Friends, and Every Little Thing. www.marylousanelli.com
Excerpt of Poems
Elephants, Their Capacity
The elephant is the largest of them all, and in intelligence approaches the nearest to man.
Pliny the Elder, Natural History, 77 CE
We speak to the lines of sound
among planets, thin as spiders’ silk,
when the new moon reveals itself
after the darkest night.
Silver to silver
we send up the water
and return to the forest.
Thus, we mark the years
of ascending and descending on earth.
When one of us falls,
we inhale her scent to keep it
with all the other stories;
the follower is not less than the leader.
When you take one of us
she will learn your language and obey
because she is no longer herself
but a dog whose world is work.
Because you fear our size
you diminish us.
Because you cannot hear
you do not know how the earth talks to itself.
You will never speak our language
which is of the earth
the deepest tides of underground streams
the molten shiftings you cannot hear.
Oviedo Encounters the Sloth in Brazil
The first invention of Musicke might seeme by the hearing of this beast, to have the first principles of that Science,
rather then by any other thing in the World. Gonzalo De Oviedo
Its four limbs cannot carry it on earth
but drag the body with birdlike claws,
belly weaving a trail in the dust.
Too slow for sport, with a mouth too small to bite,
it does not defend itself from capture
or bring any profit yet known to man.
It cannot be hurried, can never be hurried
by threats or sticks even when it sees a tree
where its one desire is to climb
with long arms and claws that reach slowly
as if through honey to the highest branch
where it is lost in quietude
among leaves and birds. No one has seen it eat
anything but air, as it turns its face to the wind,
a round child’s face with a dark stroke across each eye
painted carelessly, an animal half-formed, a friend of darkness,
quiet by day but singing at night
six notes up the scale and down
as a man may sing do, re, me, fa, so, la
this creature calls ah, ah, ah, ah, ah, ah in perfect pitch
composing the music of this New World
and all the marvels in it.
Everett Aison (1)
Alfred Alcorn (2)
Anne Argula (2)
Peter Bacho (1)
Baret Magarian (1)
Dick Bakken (1)
Barrett Thomas “Tom” Beard (2)
Bruce Berger (1)
Dr. Bessie Blake (1)
Barbara Brackney (1)
Ian Brennan (1)
William Bridges (1)
Michael Burke (2)
James Clarke (1)
Luisa Coehlo (2)
Esther Cohen (3)
Richard Cohen (1)
Russell Connor (2)
Michael Daley (3)
John Delaney (1)
Frances Driscoll (2)
James R. Elkins (1)
Zhang Er (1)
Scott Ezell (1)
Blas Falconer (1)
Inger Frimansson (4)
Lucia Gazzino (1)
Gilbert Girion (1)
Terrell Guillory (1)
Emily M. Haines (1)
Edward Harkness (3)
Ken Harvey (2)
Hannah Hess (1)
Walter Hess (1)
Russell Hill (5)
Péter Kántor (1)
Robert Karmon (1)
Siegfried Kra (1)
Alfred Kessler (1)
Yusef Konumyakaa (1)
Linda Lappin (1)
C. C. Long (1)
Peter Marcus (1)
Chas Mayhead (1)
Tim McNulty (4)
Zaedryn Meade (1)
Thomas Merton (1)
Kevin Miller (1)
Sheila E. Murphy (1)
Tung Nien (1)
Mike O’Connor (5)
Jack Olsen (1)
John Palmer (1)
Louis Phillips (5)
Matthew Phillips (1)
Sarah Plimpton (2)
Charles Potts (1)
Kate Reavey (1)
Mary Lou Sanelli (6)
Andrew Schelling (1)
Morty Schiff (1)
Judith Skillman (1)
Martin Smith (1)
Pamela Stewart (1)
Robert Sund (3)
Nina Talbot (1)
Amira Thoron (1)
Liliana Ursu (1)
Irving Warner (6)
Edwin Weihe (1)
Saul Weisberg (1)
In Mary Lou Sanelli’s sixth collection, the author shows, in poem after poem, just what place means to her: the people, the landscape, the gardens, the cafes, and, yes, the water. She does, indeed, crave the water. For Sanelli, rain, for which the Northwest is so well known, has a mission to revive and cleanse rather than to depress or sadden, and she learns, along with her readers, how to grow and to thrive in this notorious rain…And it’s about Sanelli’s sojourns away from her home, her trips to the mountains of New Mexico, to the islands of Hawaii, and down the long peninsula of Baja California, sojourns she makes which only intensify her love of the Northwest. You’ll come away from this book with a deep appreciation of this corner of America and, quite likely, with a longing to know your own home town and your own neighbors a little better than you do now.
Mary Lou Sanelli has earned a solid reputation in the literary and public-speaking community through a steady commitment to writing and through twenty years of successful public readings and presentations. She has published seven collections of poetry, three works of nonfiction, Among Friends, Falling Awake, and A Woman Writing. The Star Struck Dance Studio (of Yucca Springs) is her first novel (Chatwin Books). Her regular columns appear in Seattle’s City Living Magazine, Art Access magazine, The Queen Anne/Magnolia News, as well as Lilipoh magazine and Dance Teacher magazine. She has written for the Seattle Times, Seattle Metropolitan Magazine, Morning Edition, National Public Radio, Seattle’s NPR affiliate station KUOW FM, and many other publications and radio stations. Honorariums include an Artist Trust GAP Award, Poetry on the Buses, A Jack Straw Writers Award, A Seattle Bumbershoot Festival Book Award, The Skagit River Poetry Festival, A GoodReads Notable Book Award, and writing residencies in France, Costa Rica, and Spain. She presents her work at corporate events, conferences, literary venues, colleges and universities, book clubs, private events, and fundraising salons. Also a master teacher of Lyrical style contemporary dance, she teaches workshops throughout the world. This professional dance training and performance experience enables her to present with skills that surpass the average author reading. She lives with her husband in Seattle. “What Sanelli does in front of an audience is easier to recognize than it is to define.” -The Seattle Times. For more on Mary Lou Sanelli, please visit: marylousanelli.com
Poetry. “Sensuous, sensual, brave and insistent, Sanelli’s work shows the enclosures we tend provide no refuge. Cruelty, violation, aging or sudden death aren’t invaders; they’ve been under our feet all along: ‘the world, suddenly, too overexposed / to see, too piercing to hear.’ This gardener is…unprotected by pose. Her poems lead us out of self-consciousness into the risk of presence and truth…” -Jody Aliesan.
“I came away from her poems resolved to look more intimately at life and with a fervent desire to write down my own observations. That alone is the highest compliment I can pay this excellent poet” -Laurie Wagner Buyer.
Mary Lou Sanelli has earned a solid reputation in the literary and public-speaking community through a steady commitment to writing and through twenty years of successful public readings and presentations. She has published seven collections of poetry, three works of nonfiction, Among Friends, Falling Awake, and A Woman Writing. The Star Struck Dance Studio (of Yucca Springs) is her first novel (Chatwin Books). Her regular columns appear in Seattle’s City Living Magazine, Art Access magazine, The Queen Anne/Magnolia News, as well as Lilipoh magazine and Dance Teacher magazine. She has written for the Seattle Times, Seattle Metropolitan Magazine, Morning Edition, National Public Radio, Seattle’s NPR affiliate station KUOW FM, and many other publications and radio stations. Honorariums include an Artist Trust GAP Award, Poetry on the Buses, A Jack Straw Writers Award, A Seattle Bumbershoot Festival Book Award, The Skagit River Poetry Festival, A GoodReads Notable Book Award, and writing residencies in France, Costa Rica, and Spain. She presents her work at corporate events, conferences, literary venues, colleges and universities, book clubs, private events, and fundraising salons. Also a master teacher of Lyrical style contemporary dance, she teaches workshops throughout the world. This professional dance training and performance experience enables her to present with skills that surpass the average author reading. She lives with her husband in Seattle. “What Sanelli does in front of an audience is easier to recognize than it is to define.” -The Seattle Times. For more on Mary Lou Sanelli, please visit: marylousanelli.com
Observations from listeners at her readings: “When Mary Lou Sanelli reads her work, her energy says to audiences, these words or images or ideas exist in this poem for a reason—listen to them and pay attention. Because she performs her work this way, her listeners help make the poem as she is reading it.” Audiences have commented that Sanelli’s readings are “inspiring,” “informal, friendly,” “playful,” and “have real emotion.” One final listener observation: “Throughout her reading and her interjections, I would be set to hear one thing and another would come out. Her poems follow the pattern of surprises at every bend in the road.” –Carmen Germain, Foothills Writers Series